Happy New Year! Frequency Freaks is always free, no registration required, no experience or gear necessary. Come hang out, learn, share, listen.
For our first workshop of the decade we will have a gear swap and sale along with performances if anyone wants to play. Bring the gear that needs a new home and bring some gear to perform with, show off, or just have questions about!
Load in for people with gear at 2 pm. People without gear 2:30 pm.
So much to tell you about this month! Keep reading below for FF discounts on DIY, and a cool festival.
This month Yoni Newman from Rabid Elephant will be doing a talk about the Rabid Elephant modules, their development process, and any other cool stuff he can come up with!. As usual, we also have time for performances. Please bring some stuff to play, show us what you’re working on, or do your first live performance! Please reply to this e-mail to let us know if you plan to play something.
Yoni Newman is a musician, artist, sound designer, and member of Rabid Elephant Artists Collective. We make electronic music instruments, records, custom rigs and various other creative outputs, all of which seek to express an ever evolving philosophy rooted in rigour, honesty and lightness. Working under these principles seems to lead to things of value, and certainly makes for a fascinating journey.
His current projects include Rabid Elephant’s latest modular designs, the upcoming releases of affiliate music project “Karla”, as well as collaborations with musician Claire Yunjin Lee.
Our own Gabe de Oliveira will be hosting a very cool DIY workshop at Interaccess on July 27! Please note that this is a new date.
In this hands on workshop, you will learn how to build your own experimental noise synthesizer – the Fort Processor!
The Fort Processor is an experimental noise synthesizer and audio effect circuit designed by harsh fun noise duo ISN’TSES for Fort Process Sound Art Festival in 2018. The synth is controlled by light, touch pads, 3 knobs, and a trimmer. Audio is created and manipulated by four sections which have been combined using a circuit-bent approach. All the necessary components in kit format will be provided during the workshop, as well as guidance to build your device from scratch.
NEW DATE! Saturday, July 27 1-4PM
Exclusive Members discount (through Frequency Freaks): $45 + $70 materials fee = $115.00 Please choose the Workshop Pass Discount when registering.
Our friends over at InterAccess have asked us to let you know about Vector Festival. It looks pretty cool!
July 11-14, 2019
Locations: InterAccess, MOCA, the Ontario Science Centre, Trinity Square Video, Artscape Youngplace, Mississauga Celebration Square, Ryerson University, Electric Perfume, and Small World Music Centre
+ Invitation to VIP Reception, July 11, 6-7PM at InterAccess (950 Dupont St., Unit 1) + Admission to Vector Festival performance, July 12, 8-10PM at Small World Music Centre (180 Shaw St.) + Admission to Vector Festival screening, July 13, 8-10PM at Ryerson University School of Image Arts, Room 307 (122 Bond St.) + Admission to the Ontario Science Centre between July 11-14, 2019 + Member pricing on workshop Intro to 3D Modeling: Digital Sculpting with Rhino
The next workshop is from 2:30 pm to 6:00 pm onMay 11! Please join us at the Array Music Studio, 155 Walnut Ave!
This month its time for spring performances! Bring your gear, show us what you’ve been working on, play a little something to celebrate the coming of warmer weather! There are no talks planned for this one so bring your stuff out to play. Every synth deserves to get out of the studio once in a while! Don’t be shy, first time performers hold a special place in our hearts! You are guaranteed encouragement, positive feedback and constructive comments!
For those who are bringing gear, load-in / setup is at 2 pm.
Even if you don’t plan to play, bring your stuff! If you have questions it is good to have your synth there in person!
Have you ever wanted to take some gear to the park or camping? Wondered how you might get power, or how you could mix and record those nature inspired performances? Paul Stillwell is going to talk about this topic and the design of his evolving battery operated jam rig. He may even perform something with it while running on battery power, of course!
Derek Simmons will also do a little talk on modular synths and performance. Focusing thoughts on module selection and module placement in a performance case.
Performing this month: Matt Nish-Lapidus fresh off an awesome Album Launch performance at Handlebar on Jan 31 and Les Hartai who was last heard at the December workshop in a memorable duet with Angus Tarnawsky. Derek Simmons who returned to FF last month after being MIA for a while due to work responsibilities is also going to perform
The first workshop of 2019 is from 2:30 pm to 6:00 pm onJanuary 12. Please join us at the Array Music Studio, 155 Walnut Ave!
This month our own Michael Brooker will talk about the Disting Mk IV.
IT COMES IN PEACE: A user-friendly approach to the Disting MKIV
With a total of 89 individual algorithms at the release of firmware version 4.9, Expert Sleepers’ Disting has gone from a helpful utility to a universe of functionality
Let’s explore some of the myriad possibilities offered by this unit, while exploring some useful supplementary material to get you navigating through – and patching with – this 4HP-fits-all digital wonderland
Michael Brooker is a recovering jazz musician with an obsession for modular synthesis and musical expression in general. Having completed formal musical studies at the University of Toronto (MusBacPerf, Trombone, Jazz Studies) between 2009-2013, but seeking a new creative medium to express himself, Michael recently built a Eurorack modular synthesizer and has been quickly but carefully studying each of the modules, both individually and in the context of the larger instrument. With plans to attend the Conservatorium van Amsterdam (CvA) in the Fall of 2019, Michael’s passion for electronic music and electronic modes of musical expression are only beginning.
We will also have time for performances. Please reply to this e-mail to let us know if you plan to play something.
This is our final workshop of 2018! Hot on the heals of an incredible Toronto Sound Festival we have a presentation that likely should have been a part of the festival. However, space and time being what it is, Angus Tarnawsky will be presenting this one at Frequency Freaks for us on December 8! Please join us at the Array Music Studio at 155 Walnut Ave for what is sure to be a fun final workshop of the year!
Bring your gear, play a bit, jam a bit. We look forward to seeing you December 8!
This presentation and workshop by Angus Tarnawsky will explore creative limitations as a way to strengthen artistic practice. Specific attention will be paid to “one voice” patching techniques using modular synthesizers and ways of incorporating and interacting with physical space.
Angus Tarnawsky is a Toronto-based artist and musician. Drawing from experience as a drummer and audio engineer, his work explores site-specific relationships between sound and technology, combining aural and visual elements across installation and performance.
If you plan to do a performance a little heads up would be nice to let us know your plans. Just reply to this e-mail and we will get back to you.
This month we are very fortunate to have the multi-talented Matt Nish-Lapidus aka New Tendencies with us talking about and performing with some very unusual instruments. He will be bringing along an assortment of Ciat-Lonbarde doodads, including the Cocoquantus and Plumbutter, so that he can demonstrate that nobody really knows how they work. He’ll cover the basics of playing them, their different components, some fun patch basics, and how to integrate them with your other systems. He will also perform!
There is always room for more music! Bring your gear, show it off, ask questions, get answers, play a short set! If you are open to doing a short impromptu, improvised set with someone else who brought there gear, let us know… stranger things have happened!
About Matt – he is a musician, artist, and designer focused on exploring our relationships with technology. He has his own practice, teaches art and design at the Copenhagen Institute for Interaction Design, and is the lead curator of digiPlaySpace at TIFF. Matt has done some very cool things and you can find out more about him along with links to some of his music at his web site here.
A short word about Arraymusic. They have been very kind to Frequency Freaks by sponsoring us in the use of their space. This is a benefit to both Frequency Freaks and Arraymusic. However, they have run into some financial difficulty this year. If you are interested in helping out, and every small amount does help, please follow this link. If you get the opportunity to leave a note or message please let them know that you attend or follow Frequency Freaks.
This month we have Biologik talking about The Beauty of Random – Using Randomness to develop melodies. We also have Not Your Average Worker Bees performing a short set to introduce the newest Bee. This set will combine live improvised electronic music with live, improvised digital and analog visuals.
There is always room for more music! Bring your gear, show it off, ask questions, get answers, play a short set!
Not Your Average Worker Bees is an interesting project as it has come together as a direct result of Frequency Freaks! Their music finds it’s roots in both experimental electronic music (avant-garde, Musique Concrête) and traditional Berlin School offerings (Tangerine Dream, Node, etc.). The members feel that the addition of live visuals has taken their live creative dialogues to new heights!
Biologik is a man with a long history in the underground dance scene. Part of the trio of musical visionaries responsible for the foundation of the Proton Radio concept in 2002, the Canadian has gone on to become a leading figure in the world of music production. A man whose talent centres upon the use of outboard synths and modular equipment, the Biologik sound has seen the Toronto resident flourish in both the live and studio environments. A self-proclaimed love of “lush pads and crunchy beats” has seen Biologik develop a distinctive production style that encompasses elements of progressive, deep and tech house with a smattering of techno thrown in for good measure. Live personal appearances in North America and Europe have become a staple of the Biologik sound as has an enviable production career. Three full-length albums for Proton Music and Silk Sofa are the centrepiece of an extraordinary body of work that includes a Beatport “Album of the Year” in 2013 for “Two” and a collection of downtempo offerings in “Dreamcatcher” that offers music from the Biologik soul. Alongside, a half-century of production credits for Black Hole Recordings, Pure Trance, Pure Progressive, Particles, Proton, Stellar Fountain, Sleepless Nights and ICONYC tell the story of a man full of passion and talent. Biologik also produces soundbanks for various synthesizers including the Elektron Analog Four and has a forthcoming pack for the Moog Sub-37.